白大維 David Barton
中央大學英美語文學系教授 研究室:文學院二館 C2-427 電話: (03)422-7151 分機:33208 學 歷: 1988 - 1994 美國紐約大學比較文學博士 1985 - 1987 加拿大多倫多大學比較文學碩士 1979 - 1984 加拿大麥基爾大學英文系學士 專長領域: 前衛藝術、諷刺文學、 比較文學、西洋文化、藝術批評、文化研究、金錢文化 經 歷: 2007 - 迄今 中央大學英美語文學系教授 1995 - 2007 中央大學英美語文學系副教授 1994 - 1995 中央大學英美語文學系助理教授 1994 美國紐約大學講師 1991 - 1994 美國紐約大學研究助理 |
David Barton
Professor Office:Room C2-427, Humanity Building 2, NCU Tel:886-3-422-7151 ext:33208 Education: 1988 - 1994 Ph.D. in Department of Comparative Literature, New York University 1985-1987 Masters Degree in Comparative Literature, University of Toronto 1979-1984 Bachelor of Art, Major in English, McGill University Field of Specialty: Comparative Literature, Art Criticism, Cultural Studies, Satire, Money Culture Experience: 2007-Professor, English Department, National Central University 1995-2007 Associate Professor, English Department, National Central University 1994-1995 Assistant Professor, English Department, National Central University 1994 Instructor: “New York in the ‘50’s.” Comparative Literature Department, New York University 1991-1994 Research Assistant (to Kamau Brathwaite) ,Comparative Literature Department, New York University |
專書論文 Books, Journal Articles, Book Chapters
2015: "Fuzz-Bombed: Being a Spectator at the Taipei Biennial." Death and Life of Fiction: Taipei Biennial 2012. Taipei Fine Arts Museum, Spector Books. 98-104.
2014
Vile Contempt: The Beats and City Lights Bookstore, (trans. Chinese) UNITAS, Taipei, No.356, June, 2014.
2011
Master of Metalepsis: Visage/Face (Tsai Ming Liang) and the Meaning of the Movie, International Journal of Humanities and Social Sciences, Vol.1, No.16, November, 2011.
〈轉喻換義大師《臉》和其電影意義〉,《變/遷/轉/留 視域之徑》,書林,2011年11月,頁313。
2010
It Starts with an Island: An Empty Terrain in the Danshui River, Taipei and Orz Boyz, Asian Culture and History, Vol.2, No.1, January, 2010.
2009
〈水鐘:《你那邊幾點?》的液態憂鬱 〉,《觀展看影 華文地區視覺文化研究》,書林,2009年12月,頁301。
2008/9
Clepsydra: The Fluid Melancholy of ‘What Time is it There’, Asian Cinema, Vol. 19, No.2, Fall/Winter 2008/9.
2007
Time English Center, National Central University Journal of Humanities, Vol. 32, National Central University Press, October, 2007.
2005
Teaching Inghelish in Taiwan, Bookman Books, Ltd.
The Pornography of the Emotions, Bookman Books, Ltd.
2002
“An Excellent Slaughter is like an Excellent Meal, " Travelling Concepts II: Meaning, Frame and Metaphor, ASCA Press, University of Amsterdam, March, 2002.
1999
“Home and Native Land,” Literary Studies East and West volume 16: Replacing America: Conversations and Contestations, University of Hawaii Press, p.141, 2000.
1998
“Sage Man,” (poem) Canadian Literature, Issue 157, p. 79, Summer 1998.
1996
“Immigrants and Entropy: Don’t Waste Your Energy,” Taiwan National Film Archives, vol. 14. 1997.
1995
“Vents of Trade,” Journal of the Humanities East/West, National Central University, p. 139-147,. April, 1995.
1994
“Paranoia Inc.,” Village Voice Literary Supplement, p. 8-9, June, 1994.
會議論文 Conference Papers and Other Presentations
2013
"Cannibals and Spectators," After Year Zero: Haus Der Kultur der Welt (World Culture House), Berlin, Germany, November 25 -December 1.
"Fuzz-bombed: What the Taiwanese got out of the 2012 Taipei Biennial," IACS Conference 2013: Beyond the Culture Industry, National University of Singapore, July 3-5.
"Being a Spectator at the Taipei 2012 Biennial," “Except Asia: Agamben’s Work in Transcultural Perspective” International Conference, National Taiwan Normal University, June 25-27.
2010
“Master of Metalepsy: What is a Movie”, International Conference on Visuality and Cultural Literacy, National Central University,
November 19-20. 2010
“Tsai Ming Liang ‘Visage’: Visual and Cultural Literacy Conference, National Central University, June 8, 2010.
2009
“Orz Boys,” International Conference on Visual and Cultural Literacy, National Central University, Chungli, Taiwan, 11-12 December.2009
“It Starts with an Island….,” 4th Annual Association of Adaptation Studies Conference, British Film Institute, London, 24-25 September.
2008
“Meat Packing Academy: The University and the Slaughterhouse,” The Unthinkable –Thinking Beyond the Limits of Culture, Institute of Ethnology, Academica Sinica, Taipei, Taiwan, December.
2007
“Tsai Ming Liang: Agricultural/Industrial Melancholy,” Lecture Series on Humanities Methodology. Humanities College, National Central University, June 29.2007
“Clepsydra: The Fluid Melancholy of Tsai Ming Liang’s What Time is it There,” The Melancholy State, Institute of Women’s Studies, Lancaster University, UK, September.2007
“The Subjective Moment,” The Future of Ethnographic Practices, Institute of Ethnology, Academica Sinica, National Chi Nan University.
2006
“The Pornography of the Emotions,” Association of Literature on Screen: Inaugural Conference, DeMontfort University, Leicester, UK.
“Taiwanese Subjectivity and Tortured Dolls,” (Be)Longing: Art and Identity in an Age of Anxiety, The Verge Arts Series Conference, Trinity Western University, Langley, British Columbia.
2005
“Wong Chi Feng and Barbie,” PAW presentation, National Central University, Chungli, Taiwan.
2004
“Savaging the Wreck: Jonathan Swift and the South Sea Bubble,” Representation and Regulation: 17th Century Economics in the Dutch Republic, Institute of Culture and History, University of Amsterdam, Holland.
2002
“How to Slaughter Time: The Work of Yang Mao-Lin,” Amsterdam School for Cultural Analsysis, University of Amsterdam, Holland.
2001
“Behind every Multi-Culturalist Stands a Terrorist,” New Cultural Formations in an Era of Transnational Globalization, Institute of Ethnology, Academica Sinica, Taipei, Taiwan.
“Bataille, Cronenburg and Murakami: the Meaning of Torture, Travelling Concepts II: Meaning, Frame and Metaphor,”
ASCA, University of Amsterdam
2000
“Plugging in the Machine,” Crossroads in Cultural Studies, Third International Conference, Birmingham, England.
1998
“Out of Asia: Hegel and Asia in America,” Crossroads in Cultural Studies, Second International Conference, Tampere, Finland.
1997
“Yuxweluptun: Aboriginal Satire,” Annual Comparative Literature Conference, Taipei, Taiwan.
1996
“Home and Native Land: The X-Topic Vision,” Multi-Ethnic Literatures Across the Americas and the Pacific (MELUS), Honolulu, Hawaii.
1994
“Vents of Trade,” Group for the Study of Early Modern Culture, Rochester, New York.
“The Hudson’s Bay Company and the Double Mistress,” Strategies of Critique, York University, Toronto, Ontario.
1993
“Money and Early Modernity: Theorizing the South Sea Bubble,” New York University Comparative Literature Association Conference.
專題研究計畫與獲獎 Grants and Academic Honors
2011 -2012
National Central University: Humanities Grant: “Visual Literacy: Arts and Film.
2010-2011
National Central University: Humanities Grant: “Visual Literacy: Arts and Film
2009 -2010
National Central University: Humanities Grant: “Visual Literacy: Arts and Film.
2008-2009
National Central University: Humanities Grant: “Visual Literacy: Arts and Film.”
2007 – 2008
Ministry of Education Grant: “ Modern Visual Culture.
2006 – 2007
Ministry of Education Grant: Excellence in Teaching; Undergraduate Program
2005 - 2006
Taiwan Education Ministry Mega Grant Award, “Form and Politics of Modern Emotion.”
2002 - 2003
National Science Council Award, Project: “Time English Center”
2000 - 2001
National Science Council Award, Project: “East Eats West”
1997 - 1998
National Science Council Grant, Project: “Exotopy: Out of Asia”
1996 - 1997
National Science Council Award, Publication and Research Merit Award
1996 - 1997
National Science Council Grant, Project: “Yuxweluptun: Home and Native Land”
1994 - 1995
National Science Council Award, Publication and Research Merit Award
Spring 1994
Comparative Literature Department Selection Best Humanities Dissertation
1988 - 1991
Tuition Scholarship